current obsessions and inconsistencies I - appliquéd satin on tie-dyed quilted calico, 2021, 20 x 19 cm
Water the View
Limb Loosener - Pink felt, thread, red cord & stuffing with magazine cutout, 2020
Chermas Cabaret
Lip - stuffed poly cotton in the shape of Cher’s lips, on the edge of a cabaret stage, with shimmer curtains (made for the occasion of ‘Chermas’ December, 2018 at The Cock Tavern)
The Nine Billion Names of God
Sweet cheeks, there is always a last time for everything… – red on pink photocopy, black glitter card clipped to pink light bulbs, white satin, supported by black gaffer tape, 2014
Artserella Lavoricious
Very Pink – spray paint on cling-film and sellotape with brown plasticine and Impulse Very Pink body spray in Victorian Gentlemen’s toilet cubical, Kennington, London, 2015
Took 45 mins To Get All Dressed Up
Things Happend – white satin on extension cable, hung with red gel clipped to cage lamp, 2014
Pink Sole
Individual work created by myself as part of:
‘Triangular Brush:Art Jazz Band, presents - Pink Sole: A Concert of Artworks’ - May 2015
- collaborative residency, exhibition installations and performances.
Digital publication documenting residency, printed matter, collaborative installations and work in progress at https://pinksolethings.tumblr.com
The residency took place at Labor Gallery, and throughout the city of Budapest. I received academic research funding for my part of the residency.
Dress Rehearsal – amber light bulb with dusky-pink upholstery fabric, clipped to coat rail and supported with coat hangers, Labor Gallery, Budapest, 2015
Member of The Family – A4 black and white digital print of a Dora Gordine sculpture, unscrewed Ikea lamp and amber light bulb, on a nail, Labor Gallery, Budapest, 2015
FlatPat (bent) & Member of The Family - installation view
FlatPat (bent) – leopard print gaffer tape and cardboard against wall, Labor Gallery, Budapest, dimensions decreasing, 2015
FlatPat (straight) – leopard print gaffer tape on cardboard on stage, The Rombusz, Budapest, 2015
Pest-ish Wall (prop) – peach toilet roll, paper, PVA and gold gaffer tape, Labour Gallery, Budapest, 2015
Pest-ish Wall (slump) – peach toilet roll, paper, PVA and gold gaffer tape, Labor Gallery, Budapest, 2015
In Ecstasy
‘Pony’ MA Show
(things are going to happen) In Ecstasy - pink light, gold tablecloth, double duvet, pink spray paint, chipboard, red on pink photocopy, white-tack, wood, gold mirror card and stuffing 2014
(Nefertiti Crowned with Flumps) In Ecstasy - red on pink photocopy of Nefertiti statue crowned with flump sweets, printed on self-adhesive film, 2014
(Tiger Flump Supported) In Ecstasy - faux fur tiger print fabric, stuffed and weighted, supported by found wood on oil and cardboard, 2014
(She got face, face, face…) In Ecstasy - screen print image on gold spandex, grey card, red cloth tape, 2014
(Leopard Flump Supported) In Ecstasy - blue leopard print spandex, stuffed and weighted, supported by waxed and polished wood on oil and cardboard, 2014
Cave
‘Crystal Violet Slick / Power Test / Gaining’ & ‘Title for the Marble Cave’ were created and written in 2016 in response to the experience of visiting and creating the show in Kosovo. ‘Gram Positive’ was created for ‘Apparitions’, an collectively organised and curated group show in The Marble Cave of Gadime, Kosovo, September 2015.
Gram Positive – stuffed metallic pink PVC in a marble cave, 2015
Title for The Marble Cave – text, 2016
Crystal Violet Slick / Power Test / Gaining – digital collage /drawing, 2016
Snack Table
selected works from collaborative studio exhibition and event series
…but because we can – colour photocopies clipped to wall with gold glitter hair-clips, 2014
“LUCY B – YOU OWN EVERYTHING!”
An installation of sculptures, documented on spray tan (glow in 60 minutes), 2014
the last two days
the last two days II – fluorescent green paint and ‘marmi’ self-adhesive film on board with gold mirror card, stuffing, white and beige leatherette and black PVC, 2014
the last two days I – fluorescent red, pink and white paint on wood with red fringing, 2014